I believe a good look at an eq block might fix your problem. That might be the solution you're looking for. But we can also see how it can be used musically when applied in small doses to make your songs stand out more. I have the HX Effects and use IR with a separate amp modeling pedal so I can’t promise you anything but I rolled back the Hi Cut on the IR to around 10kHz. We hope you found this article useful. There's a chance that might help. Having a full array of amp and cab modellers together with effects in one box makes this a complete solution that you can take and play at any venue in the world. I just got my Hx Stomp home and I've got a few things I'd like to share/compare 1) Analog bypass sucks tone it's not even funny 2)DSP bypass is alright, but feels a bit off. I recently got a Stomp to use primarily for direct ampless recording and possibly simplifying my rehearsal board a bit. Also, have you tried messing with the input impedance on the input block of stomp? But yeah as great as the Helix is there a few pedals / sounds that it just hasn’t gotten all the way there yet. There is also a MIDI PC Tx feature on the HX Stomp that allows it to transmit a MIDI PC message which corresponds to the selected preset. The HX Stomp also has a built-in 24-bit/96Hz, low-latency audio interface for Mac, iOS and Windows. But now that I've gotten a nice clean sound in the HX Stomp using a Fender preamp and the same Ownhammer IR, the fuzz sounds bad going into the Stomp. Practically, we foresee players using the Preset Recall and Block Bypass functions more often. I've tried increasing the treble damping on the IR block, but that just gets rid of the good high-end and not the bad parts (until ALL the high-end, good and bad, is gone). In our testing, the pitch shifter and synth generators all tracked well with the guitar playing with no perceptible latency. Reply to this topic; Start new topic; Recommended Posts. The HX Stomp handled both single coils and humbuckers well. I recently got a Stomp to use primarily for direct ampless recording and possibly simplifying my rehearsal board a bit. Now what would the Helix line be without luscious, lingering, ethereal reverb. The usual Room, Hall, Spring, Plate and Particle Verb are all present. Its compact size is excellent, but also comes with tradeoffs. Have you tried messing with the input impedance? :/. As with the rest of the Helix line, build quality is very good. Apart from the classic Analog (modulatable chorus), Bucket Brigade, Digital and Tape types, there are also Ducked, Reverse and Swell types available to lend a unique edge to your delay tones. The colored LCD screen has deep blacks and good contrast, giving the user a pleasant viewing experience. By default, it's set to auto but try setting it manually a lower value. This mutli-effect gives you a robust The HX Stomp accommodates up to 6 blocks. Being able to use the HX Stomp as a USB Audio and MIDI interface is a huge bonus, and gives you the added flexibility and convenience both on stage and in the studio. Problem: extreme fuzz into HX Stomp . By Barnezy, February 25, 2019 in Helix. to get that sound, and it's previously worked well going into an Atomic Amplifirebox armed with an Ownhammer Deluxe Reverb IR. Boasting an astonishing number of effects, combinations, routing options and overall tweakability, it is a compact, powerful processor that can just about do it all. We hope you enjoy it. The means that if a certain Preset is selected on the HX Stomp, the HX Stomp will send a PC message via it’s MIDI OUT connector. We want to talk a little bit more about the L/R Send and Return inputs here. However, the MIDI implementation on the HX Stomp is incredible and very user friendly, allowing you to easily connect it with a midi controller to recall presets on the fly, engage/bypass individual effect blocks and control effect parameters. Don't forget to subscribe to our mailing list, or follow us on. True Preset Spillover is a game changer. But I seem to have a problem. So for us, we would definitely use the HX Stomp in conjunction with other overdrive and distortion pedals if constraints allow. But maybe tweaking one or more of the (to me) more obscure parameters in the Amp block (like Sag, Hum, Bias, etc.) Barnezy 0 Barnezy 0 Just Startin' Members; 0 2 posts; Registered Products: 1; Posted February 25, 2019. #line6hxstomp #hxstomp #helix #line6helix #helixlt #hxeffects #helixeffects #morningstarmc6 #mc6mkii #mc6midicontroller #midifootcontroller #line6 #line6hxeffects #line6helixlt. Yeah, I've swept the whole spectrum of options when it comes to input impedance on the input block since that was one of my original suspects for what might be wrong, but that didn't really help with the problem. Would anyone out there have any idea about what might be going wrong here, or any thoughts on what else I could try to get rid of the problem? I've got to say in my experience so far the weakest part of the Stomp is the dirt sounds. By default, it's set to auto but try setting it manually a lower value. Phaser and Flanger blocks also will not disappoint. Every once in a while, a new piece of gear comes along and unquestionably changes the game. Not a huge deal in my case as I've got the dirt I need in analog form (well, if I could get all of them to play nice with the amp simulation on the Stomp...), but it's a bit of a shame from the perspective of having a small all-in-one 'grab and go' option for rehearsals and such. For all things related to the Line 6 Helix. Let me know if this helps. Don't forget to subscribe to our mailing list, or follow us on Facebook and Instagram for more reviews and MIDI talk. It seems really cool but I've run into a problem. I have similar problems in other settings, but for simplicity I will focus on the following situation. The HX Stomp through Adam A7x monitors in our studio, Signal Chain: K Line Truxton / Deviser Rosetta Vessel > Line 6 HX Stomp > Mackie Mixer (Flat EQ) > Adam A7x. (checked to see if noise gate was on by default, wasn't) 3)Windows 7 user. I've tried putting the fuzz before the input and I've tried putting it in the loop. Blocks are objects that represent various elements in your signal chain. might help, I'll have to delve into that. Again, this can be implemented via the Learn function, or done manually as well. Yeah worth a shot. So, a crucial part of my sound is fuzz of the Superfuzz variety -- super nasty destructive fuzz with an octave up. CC values 0-63 will turn the block off, while 64-127 will turn the block on. I recently got a Stomp to use primarily for direct ampless recording and possibly simplifying my rehearsal board a bit. Press J to jump to the feed. It is a great all-in-one solution on its own, with stellar effects, realistic amp and cab models, all tied together in a user-friendly interface. Absolutely beautiful. Distortion: Jumbo Fuzz: Jumbo Fuzz delivers a bright bite reminiscent of the fuzz tones heard all over the first two Led Zeppelin records. Feedback, Mix and other parameters are easily adjustable, with the knobs clearly showing each knob’s function above on the LCD screen as you page up/down. If you don’t have access to good guitar amps at a venue, you can definitely go line-in to the PA and still be assured of high quality amp tones. MIDI enables you to perform 3 main functions: Preset & Snapshot Recall, Block Bypass and Parameter Control. We are combining these 2 categories together in our review as they are very similar. This is a simple one-switch looper that allows you to record, overdub, undo and stop. This is great for when you need to change presets on other MIDI devices together with engaging a preset on the HX Stomp. Line 6 Helix Presets – Custom Presets For Line 6 Helix, HX Stomp, PodGo & HX Effects Premium Line 6 Helix Presets From the Creator of The Helix Hour YouTube Talk Show Eric Broadbent is the founder of the Line 6-themed YouTube talk-show, The Helix Hour , which is part of the Music Gear Network . Also, if your fuzz pedal can run off a battery, it’s worth seeing how that changes things. It is about the size of one of Strymon’s 3-switch pedals. I tried another one of my Superfuzz clones, and that one sounded bad in the same way that the Silver Rose did. I tried running other dirt pedals (a Mooer RAT clone and a Mooer Blues Driver clone) into the same configuration, and they sounded fine, even on brighter tone settings. And we are happy to say that the HX Stomp delivers in buckets. So, a crucial part of my sound is fuzz of the Superfuzz variety -- super nasty destructive fuzz with an octave up. In general, fuzzes can be very particular with what goes into them and what they go into. No real improvement that I could tell. Distortion: Facial Fuzz: Bottom-heavy distortion inspired by* the Arbiter Fuzz Face, which is associated with the tones of Jimi Hendrix and Eric Johnson. You're thinking an EQ block as the first block in the chain? This is a huge advantage and is great for cleaner and more defined reverb/delay tones (you may google to learn the science behind this). Signal Chain: K Line Truxton / Deviser Rosetta Vessel > Line 6 HX Stomp > Yamaha THR10C. The HX Stomp is small enough to easily join other pedals on a pedalboard. We recommend that you refer to the user manual for this. The HX Stomp uses a MIDI Learn system, and incoming CC message will be assigned to your selected block when in Learn mode. We now have the highly anticipated HX Stomp by Line 6 in our hands, and are really excited to be finally doing this review. MIDI enables you to perform 3 main functions: We hope you found this article useful. Fuzz Pedal in to HX Stomp. Still looking for the right footswitch for your HX Stomp? I just received my HX stomp yesterday, and have been messing about with it, trying to work out what it can do. Now this category is great for experimentalist musicians who love creating evolving textures of varying pitch. Thanks! All we have to say for this section is, play around and have fun. Do note that if you want to control the HX Stomp via MIDI over USB, you will need a USB Host to do so. But now that I've gotten a nice clean sound in the HX Stomp using a Fender preamp and the same Ownhammer IR, the fuzz sounds bad going into the Stomp. We now come to the HX Stomp’s star category. The Line 6 HX Stomp has taken the pedal world by storm over the last few years, and rightly so. Settings can be adjusted to give your tone just a gentle squeeze or an outright squashed sound. Man that’s tuff. By the end of this review, you should be able to decide if the HX Stomp is a worthy investment for your needs. We are happy to report that it sounded great too and did not alter the sound of the THR10C’s amp models. The MIDI implementation on the HX Stomp is well thought out and the 3 main MIDI functions give you total control of the HX Stomp via a midi controller. Aside from the usual low, mid and high EQ options, there is also a Parametric and a 10-Band EQ block, allowing you to fine tune and precisely shape your tone to taste. The HX Stomp has L/R Inputs, L/R Outputs (balanced or unbalanced), L/R Return/Aux In, ¼" Stereo Send, Headphones Out and USB Type B (the HX Stomp is also a multichannel high quality 24-bit/96kHz audio interface, we’ll touch more on this later). 5. From analog to digital, or simple to complex delays, there are plenty of options available.
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