1) FOR POLISH: Macek Pysz Cannonball jumps right out of the gate with a perfect alto sound and complete command. “Remember” Much of Trane’s work on “My Favorite Things” sounds like his usual tenor and not the soprano he’s actually playing. He should not be confused with Ted Green the hockey player. Listening to “Chasin’ the Trane” still gives me a sense of what Maestro Coltrane was all about: From his first phrases, which seem to be an improvised melody, to his extended trio exploration, his improvising here is stunning. Lennie Tristano I was living in Chelsea and was determined to make the transcription happen. Indeed, some of the greatest jazz improvisations have been just as eloquent and expressive as the most renowned poems or speeches in history, and they're just as important to know. Glad to see Grant Green properly respected. Killer cut: ‘Stella By Starlight’, In the mid-80s, Chicago-born Jordan became a global sensation with his novel approach to guitar playing, which involved using a tapping technique on the fretboard to produce an array of sounds. Pat Martino-“We’ll Be Together Again” It remains, however, a vivid testament to Greene’s phenomenal abilities as a musician. Oscar Aleman (Argentina) By Mick Rondon, from Ian Hunter live! Charlie Hunter-“Return Of The Candyman” We’ve put together a list of the 75 best jazz guitar albums of all time. He developed a unique finger-picking technique and often used an unorthodox seven-string guitar. Easily one of the best jazz guitar albums in history. And don´t forget all that he has played with. His phrasing, the shapes of his lines and how he navigates harmony are uniquely his own: compelling, irresistible, a game-changer. Couldn’t agree more Jack. ), Ginseng Woman – Eric Gale where is George Barnes he influenced many of the great players eg George Benson! Chet Atkins He could do anything he wanted, and handled jazz beautifully, especially on songs like “So Rare”. In Europe, Django Reinhardt played single-line melodies that gave the guitar more visibility, casting a huge influence on many jazz guitarists that that followed. Is a VERY important album. Second Home By the Sea. MATT MITCHELL The list seems to neglect some of the monsters of old who inspired others. Beginning with a wail of feedback, this tune had no problem living up to its title. From there, bar two is a slightly altered version of melody 1, changed to outline the new Bbm7 and Gm7b5 chord changes. Even Miles Davis agreed. You can’t be too familiar with George Bensons work. I didn’t know there was a guitar solo on that song. Mildly surprised not to see Ulf Wakenius in the top 50. Saxophone Colossus (Prestige, 1956) Every 70s hard rock band needed a solo acoustic guitar track, but this was one of the finest. Lee’s opening solo alone is a grabber. At the Pershing: But Not for Me (Argo, 1958) Agree! Once Wynton Kelly steps forward on piano, even Wes’ rhythm chords are perfect. What about Todd Rungren on Bat Out Of Hell? Killer cut: ‘Isn’t It Romantic’, This 1996 album brought together two Midwestern US jazz musicians – the Iowa-born veteran bassist Haden and the Missouri-born rising guitar deity Metheny – for a series of gentle, meditative soundscapes comprised of original material leavened with jazz, pop and movie-theme covers. Actually, I am wrong. This track puts Annie Clark’s imagination as a guitarist on full display. “Miserlou” was originally a folk tune but once Dick Dale thought to play it on a Fender – with maximum volume and reverb – the sound of catching waves was born. “Blue 7” Duke Jordan’s piano introduction is also a classic, and the alternate take is equally brilliant, soulful and … different! It is pure transcendence. Check out the list below to see if any of your favorite Joe Pass solos made the top 4 as suggested by our readers. Go (Blue Note, 1962) I started reading down through the list and forgot what the list was – It wasn’t until I got into the top 35 until I started to say, Well, Okay. He rose to fame as a sideman for swing clarinettist Benny Goodman in the late 30s and early 40s, and some of his key recordings during that time – ‘Solo Flight’ and ‘Airmail Special’ – are featured on this 1987 compilation which helped to spread the word about Christian’s talent in the late 20th Century. Giant Steps (Atlantic, 1960) Stern also contributes three strong original tunes which serve to highlight his unparalleled approach to the electric guitar.
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